Pinhole photograhy always fascinated me. To strip down all he bells and whistles and simply be left with a container that is otherwise light tight, apart from the light that enters through a hole that was made with a pin, and to be able to make images from such a primitive apparatus, is pretty effing cool. We don’t need lenses to make a photography, we just need patience.
See, because the hole a light must pass through in a pinhole camera is so small, patience is a must when shooting. Exposures in bright light can take 4-7 seconds, low light can take up to 20-60 seconds, ad night photography? Well, that’s whole other ball game. If you are lucky, your pinhole might be comparable to an f-stop of 64 (you can generally achieve this by using a beading needle if you are making your own pinhole camera) and you could use a light meter to get a estimate on your exposure time. Sadly, that’s not often the case and exposure times can be a bit of a guessing game.
Perhaps later we shall discuss the mechanics of making a pinhole camera, but today I simply wanted to share my latest adventure. I finally took the plunge and started shooting color in my Holga pinhole. Don’t ask me why I’ve only been shooting black and white film all these years, I really have no answer… but when the first really nice day of late spring hit the Pacific northwest, my wife and I went out to Cougar Mountain to hike the old railroad, which has long since fallen back into natures clutches, and is barely discernible. We hiked for 3 hours, and went less than a mile. That’s patience.